“Respect the learning curve,” a saying I learned from engineers inside Apple back in the early 90’s when I complained about some complex new software. The other saying they had was “you have to waste an hour to save 10 hours,” both very wise and true. Once you put the time in to learn, productivity soars.
And that’s where I am now, on that steep part of the curve, where it feels like an acid trip – flashes of complete lucidity and understanding in between hours of confusion. So all you read here is likely wrong or incomplete, please bear with me.
The good news is I have both iPad Pros (both sizes) set up and running with LRM and syncing with my desktop, as well as my phone. This flexibility is simply the coolest thing about the process so far. Yes you can download RAW direct to the iPad it seems but I am waiting for the thunderbolt adaptor which should come today so I can try that. Meanwhile I’m downloading to the laptop and synching to LRM.
Forgive me all you LR maniacs, this is all new to me, BUT it’s freakin awesome to go back and forth. This is cool. I imported my raw/jpegs into Lightroom and synced with LRM. I went to the iPad and there was the collection, nice. I scrolled through and found an image to retouch and yes it was NEF, Nikon raw. I make my corrections, bw etc and then went back to the Desktop and boom, all there, very very fast. I understand this is done with instruction sets so only lower res jpegs are traveling, details…
For my previous workflow, we had Aperture on a laptop with a fresh library set up and would download the memory cards as we worked, backing up everything to three separate HDs at the same time. At the end, we’d copy the Aperture library to one of the drives which I could take with me for editing. If we were traveling on to another shoot or location, I could dropbox the updated library with all my edits for my studio to download and merge with our master Library (or fedex a drive), or on our return we’d merge. And we’d copy the RAW files onto our server when we return or via Fedex. So now, I’m going to try to replace or improve on that system.
We may be able to take the iPad Pro instead of the laptop if we keep it data free. I’ll go shoot, download the shoot, edit and so forth on the iPad. Since LR Mobile is syncing everything the “master” library/catalog is anywhere we want it to be it seems. I have to decide if I’m going to keep one catalog and separate shoots by collections, or make a new catalog for every shoot… tricky to get my head around that. But after each shoot we’d wipe the iPad clean. This assumes no shoot gets above 128 gigs or 256 gigs in case of the smaller one. And then comes the back up: I need to figure out how to back up in real time like we do now, as I don’t think I can connect HD’s to the iPad. That’s key. And the cloud seems unrealistic, even overnight, for as much data as we generate. Especially in some hotel in whereverville. Sometimes we are shooting 20, 3o, 50 gigs a day or more. Crazy I know.
So issues remain in regard to ICC profiles and color management and how much retouching I can actually do on iPad and what will likely get done in studio. If I can solve the back up in the field problem, then we’ll be exploring how far I can go with the iPad Pro. At some point it will make sense to bring everything back to studio for final retouching and exporting for delivery to clients but we’ll see…!